Last year, Ukrainian President Volodymyr Zelenskyy warned global leaders of a dangerous escalation tied to drone tech and AI. “We are now living through the most destructive arms race in human history,” he said at a meeting of the UN General Assembly in September. However, given the ugly realities in his country, Zelenskyy reiterated his need for armaments. “The only guarantee of security is friends and weapons,” he said.
«Мы видим продвижение наших подразделений в районе населенных пунктов Гришино и Сергеевка, также видим продвижение и ожесточенные боестолкновения на подступах к Белицкому и Новому Донбассу, а также наши штурмовые подразделения продвигаются в направлении населенного пункта Золотой Колодезь», — сказал он.，详情可参考黑料
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Emacs Internal #01: is a Lisp Runtime in C, Not an Editor ›
It was the same ethos I’d observed driving those academics to historicize or “complicate” the image of Shakespeare as the ultimate modern genius. Indeed, the academy’s general rejection of Bloom himself seemed little different from its need to limit the preeminence of the Bard, or even the idea of a Western canon itself. Certainly, that nebulous web that made up the aftermath of modernism—from poststructuralism to deconstruction, feminist and postcolonial theory and the New Historicism—had plenty of reasonable claims to updating what had been a mostly white, Christian, male field. And yet they all seemed too late, left exhuming a corpse the modern era had already carved up and killed. These disciplines weren’t producing anything new. They’d developed many refined and philosophically dense ways of dissecting their subjects—often to the point of undermining their own initial reasons for studying them. But the proliferation of all these exhaustive interpretative methods appeared like nothing so much as the deeply anxious work of professionals who could never quite admit to their own essential belatedness.